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Zeppelins Flieger: Das Flugzeug im Zeppelin-Konzern und in seinen Nachfolgebetrieben

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Edited by Wolfgang Meighörner, Zeppelin Museum Friedrichshafen, Ernst Wasmuth Verlag, Thübingen & Berlin/Zeppelin Museum, Friedrichshafen, Germany, 2006, ISBN 3-8030-3316-0. Illustrated, hardcover, published in German.

Cover image © by Ernst Wasmuth Verlag, 2006.


Published to complement an exhibition at the Zeppelin Museum in Friedrichshafen, Germany, Zeppelins Flieger: Das Flugzeug im Zeppelin-Konzern und in seinen Nachfolgebetrieben [Zeppelin's Aviators: Aircraft In The Zeppelin Group And In Its Successor Firms] is a compendium of highly intriguing essays by a variety of authors. Traditionally, the word "Zeppelin" has become a metaphor for large, silver airships and, inevitably, the image of airship LZ 129 Hindenburg as it perishes near its mooring mast in Lakehurst, New Jersey, in May 1937. Somewhat less immediate, perhaps, might be the association of Zeppelin with the airship bombing raids over England during the First World War.

Far more unknown, however, is the fact that Ferdinand Graf von Zeppelin and the Luftschiffbau Zeppelin [Zeppelin Airship Manufacturing] plant were also involved in numerous aircraft-related undertakings, following humble beginnings as early as 1899. Among the most notable were, perhaps, Ferdinand Graf von Zeppelin's role in establishing Claudius Dornier's Dornier Metallbau [Dornier Metal Construction], later to be renamed Dornier Flugzeugwerke [Dornier Aircraft Manufacturing Plant], or Luftschiffbau Zeppelin's license production of aircraft and rocket components during the Second World War. The extent of the subject matter is astonishingly substantial.

In spite of the fact that a truly comprehensive study of all of Luftschiffbau Zeppelin's aviation activities would undoubtedly merit far more than just one book, Zeppelins Flieger is a truly formidable and wide-ranging study. At 320 tightly printed pages, and with 255 often striking images, Zeppelins Flieger is quite literally a heavy tome. The narrative is subdivided into 16 individual essays, which together form a fairly cohesive record of Zeppelin's non-airship ventures. Among the authors are a number of distinguished German aviation history specialists, such as Karl Kössler, Lutz Budrass, Günter Frost, or Hans-Peter Dabrowski. Each essay is completed by a list of explanatory notes and sources. By far the major part of Zeppelins Flieger covers the years up to 1945, with only comparatively few pages addressing events following the Second World War and up to today.

The content of some of the essays is stunning. Jürgen Bleiber's examination of the revolutionary E.4/20 airliner, for example, is riveting, not least due to the photo content. Equally captivating are Günter Frost's look at Dornier's aircraft of the 1920s, or Hans-Peter Dabrowski's descriptions of Zeppelin's affiliation with the Messerschmitt Me 323 and Luftschiffbau Zeppelin's later projects, such as the ZSO 523 transport, the Fliegende Panzerfaust, the Zeppelin Rammer, and the Zeppelin airliner. Further examples are Peter M. Grosz and Michael Schmeelke's Die Riesenflugzeuge des Zeppelin-Konzerns im Ersten Weltkrieg [Giant Aircraft Of The Zeppelin Group In The First World War], Lutz Budrass' look at Rohrbach and Dornier, or Karl Kössler's brief exploration of the evolution of Dornier's Do 17 design.

Among the most noteworthy essays is Christa Tholander's Ausländische Arbeitskräfte in der Zeit des Zweiten Weltkriegs bei den Dornier-Werken 1939–1945 [Foreign Labour At Dornier's Plants During The Second World War 1939-1945]. Tholander's contribution is based on a doctoral thesis, and it is exemplary that this drastic and all too often quietly excluded topic is an integral part Zeppelins Flieger. One of Tholander's most unexpected revelations is that Dornier explored all legal means at its disposal to improve the living conditions of the Ostarbeiter [eastern workers] in its service.

Zeppelins Flieger can be recommended without hesitation. It is a detailed and expertly researched publication with very high production standards. Its appeal may conceivably be limited only by the fact that it has been published in German. Nonetheless, the fact that Peter Schmoll's various German language works on certain aspects of Messerschmitt's aircraft production have been translated and compiled into the English-language Nest Of Eagles (Classic Publications/Ian Allan Publishing Ltd., England, 2010) leaves room for hope that Zeppelins Flieger, too, might one day be granted a competent English translation.

Dornier Delphin III

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The BMW VI-engined Dornier Delphin III (Do L Bas) flying boat D-UBIF, Konstanz, Werknummer 152. The boarding pier for crew and passengers can be seen behind the fuselage. This aircraft was built at Dornier's facilities in Altenrhein, on the Swiss side of Lake Constance, and at one point in its existence also displayed the Swiss registration CH-178.

According to the inscriptions on the back of these photos, they were taken at the Lake Constance shore promenade in Konstanz, Germany, in 1935 or 1936. (Fischer collection)

Heinkel He 177 Wrecks

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The photos in this post show two unidentified Heinkel He 177 A bomber wrecks after their discovery by Allied troops. The location of these aircraft and the exact date currently remain unknown to me.

Top photo shows a He 177 A with its entire forward fuselage section missing. The tips of the spinners are painted in a different, lighter colour. An enhanced enlargement of the extreme right of the image (see photo above) reveals what is possibly exactly this missing forward fuselage and cockpit section, resting on its side in the background.





Top photo shows a still somewhat intact He 177 A at the same airfield. The aircraft's DB 610 engines are missing, and the bomb bay doors are open. The main undercarriage doors remain closed, unlike those of the aircraft heading this post.

Bottom photo shows another view of what appears to be the same He 177. Due to the inferior quality of these photos, it is difficult to determine the aircraft's code. Note removable portion of canopy of rear gunner's position lying on the ground, to the left of the horizontal stabilizer. The MK 151 tail gun has been removed.

Also apparent in these photos are the fir trees previously used in an attempt to camouflage the aircraft. (Fischer collection)

Flughafen Tempelhof - Chronik des Berliner Werkes der "Weser" Flugzeugbau GmbH, Bremen

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[Full title: Flughafen Tempelhof - Chronik des Berliner Werkes der "Weser" Flugzeugbau GmbH, Bremen - Einrichtung eines Flugzeugwerkes - Umbau von Flugzeugen und Produktion der Kriegsflugzeuge Ju 87-Stuka und Focke-Wulf Fw 190, 1939-1945] F.-Herbert Wenz, Stedinger Verlag, Lemwerder, Germany, 2000, ISBN 3-927697-24-9. Illustrated, hardcover, published in German.

Cover image © by Stedinger Verlag, 2000.


Although destined to perpetually remain in the shadows of other, more widely recognized companies such as Messerschmitt, Junkers, or Focke-Wulf, Weser Flugzeugbau GmbH was one of the largest aircraft manufacturers in Germany during the Second World War. While Weser’s own aircraft designs remained obscure or unbuilt, the company was contracted to convert, repair, and mass-produce aircraft of other manufacturers, such as the Junkers Ju 86 and Ju 87, Focke-Wulf Fw 190, Junkers Ju 388, or Focke Achgelis Fa 223. At its plant at Tempelhof airport in Berlin, for example, Weser eventually conducted two thirds of the entire Ju 87 production.

Weser Flugzeugbau GmbH’s Tempelhof facilities are the focus of F.-Herbert Wenz’ somewhat cumbersomely titled Flughafen Tempelhof - Chronik des Berliner Werkes der "Weser" Flugzeugbau GmbH, Bremen - Einrichtung eines Flugzeugwerkes - Umbau von Flugzeugen und Produktion der Kriegsflugzeuge Ju 87-Stuka und Focke-Wulf Fw 190, 1939-1945 [Tempelhof Airport - History Of The Berlin Plant Of The "Weser" Aircraft Manufacturing Corporation, Bremen - Establishment Of An Aircraft Manufacturing Plant - Aircraft Conversion And Production Of Ju 87 Stuka And Focke-Wulf Fw 190 Warplanes, 1939-1945]. The book is something of a companion volume to the same author’s indispensable Chronik des Lemwerder Flugzeugwerkes 1935-1963: Band 1 - "Weser" Flugzeugbau GmbH [History Of The Lemwerder Aircraft Manufacturing Plant 1935-1963: Volume 1 - "Weser" Flugzeugbau GmbH], released by the same publishing house in 1995.

Though only slightly more than half as extensive at 160 printed pages (versus the earlier publication's 256 pages), Flughafen Tempelhof is designed in a similar layout and style, and it serves to further complete the examination of Weser Flugzeugbau GmbH's various undertakings. It is actually rather unfortunate that Wenz' follow-up is a thinner book, as one might be drawn to imagine that the past existence of the massive manufacturing facilities at Tempelhof airport, including all related issues, would have warranted the inclusion of far more material and images (the book features 130 photos). Moreover, the book's design could be a bit more modern.

In spite of such desires, Wenz' Flughafen Tempelhof truly is a captivating compendium of information on the operations of a wartime German aircraft factory and the various special interests affecting it. Following brief descriptions of the establishment of Weser Flugzeugbau GmbH and the construction of the completely redesigned Tempelhof airport (see also Der Flughafen Tempelhof in Entwurfszeichnungen und Modellen), Wenz describes the actual repair, conversion, and production of aircraft at the airport. The switch to this new location was implemented because Weser Flugzeugbau GmbH's earlier facility at Lemwerder was utterly overwhelmed by the sheer volume of work it was allocated. This is evidenced, for example, by two striking photos on pages 25 and 26 of the book, one of them showing an aerial view of the access road to Lemwerder. The road itself is barely visible due to the fact that it was used as an improvised parking area for numerous Junkers Ju 86 aircraft.

Flughafen Tempelhof contains countless interesting photos depicting the activities at the Tempelhof facility, from conversion work on Heinkel He 111s and Ju 86s to the series production of the Ju 87 and the repair of the Fw 190. Some of the photos show the damage caused by bombing attacks as well as the measures taken to limit such damage in the future. In addition to the narrative, floor plans and images depicting aircraft components and various manufacturing and assembly areas help the reader to gain a visual understanding of operations in a fairly typical German aircraft plant of the period. Unfortunately, the text is at times a bit generic. An example is the description of the intention to commence production of the Fa 223 helicopter; this is basically a brief summary on the aircraft and provides hardly any details regarding the intended production.

Wenz further portrays the individuals managing operations at the Tempelhof manufacturing facility and then, on nine pages, touches upon the omnipresent topic of forced labour. It is this latter point which has led certain circles to express criticism regarding the book. Wenz' account was blamed for being too cursory and too apologetic on behalf of the plant. The issue of forced labour at Weser Flugzeugbau GmbH is indeed of tremendous significance. To say that Wenz is trivializing this subject matter would be too strong, but it is certainly true that the brevity of the chapter in question means that many thoroughly drastic aspects of the topic are merely hinted at or even outright excluded. The utter arrogance and ignorance exhibited by the German leadership (from the highest to the lowest level) with regard to employing forced labour defies description, and this is exactly why attempts must be made to describe it.

Flughafen Tempelhof concludes with an account of the collapse of plant operations at the end of the war, and the occupation by American troops. Perhaps it is futile to expect a book with such a limited page count to provide a highly detailed study, regardless of whether this concerns aircraft manufacturing or forced labour issues. This is why it is somewhat frustrating that this book isn't a more extensive work and why the text actually included is at times slightly sketchy.

Cologne Airport, 1937, Part 1

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Selected images of the newly rebuilt Cologne-Butzweilerhof airport in 1937. The complete transformation of the old, obsolete airport was the first construction project of the new National Socialist government in Cologne upon attaining power in 1933. The project was realized in close cooperation between the city of Cologne and Deutsche Lufthansa. The requirements of the Luftwaffe (then still in its clandestine formation stage) were taken into consideration as well.

After two years of research and planning, Professor H. Merten's design for the airport was ready for construction in early summer of 1935. The new airport was opened for operations on August 1, 1936, just before the commencement of the Games of the XI Olympad in Berlin.

These photos were originally part of an 8-page feature titled Der neue Kölner Verkehrsflughafen [Cologne's New Civil Aviation Airport], published in the architectural trade journal Moderne Bauformen - Monatshefte für Architektur und Raumkunst [Modern Construction Design - Monthly Magazine For Architecture And Interior Art], volume XXXVI, issue no. 6, June 1937, Julius Hoffmann Verlag, Stuttgart, Germany.

Top photo shows the magazine's cover, featuring the main portal of the new airport. The massive eagle sculpture was designed by local Cologne artist Willi Meller and made from basaltic lava.

Centre photo shows the airport's main building as seen from the direction of the city. The building contained all passenger facilities as well as the airport's administration.

Lower photo shows the observation area and the patio of the airport restaurant on the south-western airside of the main building. This area was designed specifically to host a large amount of spectators during aviation events.

Cologne Airport, 1937, Part 2

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Selected images of the newly rebuilt Cologne airport, originally published in Moderne Bauformen - Monatshefte für Architektur und Raumkunst [Modern Construction Design - Monthly Magazine For Architecture And Interior Art], volume XXXVI, issue no. 6, June 1937, Julius Hoffmann Verlag, Stuttgart, Germany.

Top: according to the original photo caption, these are "festive" passenger facilities in the main building. The two towers of the Kölner Dom [Cologne cathedral] were visible through the glass doors.

Centre: apron with air traffic control tower, grosse Flugzeughalle [large aircraft hangar], operations building, main building, and observation area. The entire assembly stretched across a distance of 400 m.

Bottom: enlargement of bottom left portion of the same image reveals Junkers Ju 52/3m D-ANEN, Werknummer 5072, Fritz Puetter, operated by Deutsche Lufthansa. Aircraft features aerodynamic fairings around its landing gear. (Additional aircraft identity confirmation courtesy of the LEMB Stammkennzeichen Database Project)

Cologne Airport, 1937, Part 3

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Selected images of the newly rebuilt Cologne airport, originally published in Moderne Bauformen - Monatshefte für Architektur und Raumkunst [Modern Construction Design - Monthly Magazine For Architecture And Interior Art], volume XXXVI, issue no. 6, June 1937, Julius Hoffmann Verlag, Stuttgart, Germany.

Top: air traffic control tower and grosse Flugzeughalle [large aircraft hangar]. Enlargement of bottom right portion of image shows, once again, Junkers Ju 52/3m D-ANEN, Werknummer 5072, Fritz Puetter. The aircraft is in the process of being serviced, as evidenced by the open cowling of the starboard engine.





Top: front view of the large aircraft hangar and control tower. The building was shielded from the wind by the forward position of airport's main building. Subsurface refuelling stations were located in front of the hangar, underneath the apron.

Bottom: Enlargement of the bottom right corner of the above image reveals Junkers W 33 f D-OTAQ (originally D-2009), Werknummer 2580, Bosporus, operated by Deutsche Lufthansa. (Additional aircraft identity confirmation courtesy of the LEMB Stammkennzeichen Database Project)

Cologne Airport, 1937, Part 4

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Selected images of the newly rebuilt Cologne airport, originally published in Moderne Bauformen - Monatshefte für Architektur und Raumkunst [Modern Construction Design - Monthly Magazine For Architecture And Interior Art], volume XXXVI, issue no. 6, June 1937, Julius Hoffmann Verlag, Stuttgart, Germany.

Top: parked aircraft inside the grosse Flugzeughalle [large aircraft hangar]. The aircraft in the centre is De Havilland D.H.86A (later D.H.86B), G-ADUG, operated by Imperial Airways.

The hangar was surrounded on the outside by an extension along three of its walls. This extension housed a variety of rooms used by Deutsche Lufthansa, such as workshops and storage facilities. Further rooms were used by the air traffic control.

Centre and bottom: enlargements of the main photo, showing Focke-Wulf A 47 D, D-IJTE, and, partially hidden behind a Lufthansa Heinkel He 70 and the Imperial Airways D.H.86 G-ADUG, an unidentified Junkers Ju 86.

Arado Ar 76 Control Surfaces

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Control surfaces of the Arado Ar 76 parasol-wing lightweight fighter/trainer, as featured in Das Flugzeug - Dritte Auflage [The Aircraft - Third Edition], edited by Theo E. Sönnichsen, published by Richard Carl Schmidt & Co., Berlin, Germany, 1942.

Top image provides rear view indicating aileron [Querruder], landing flap [Landeklappe], vertical tail [Seitenflosse], rudder [Seitenruder], trim tab [Bügelkante], horizontal stabiliser [Höhenflosse] and elevator [Höhenruder].

Centre image shows overview of control surfaces. Top: control column [Steuerknüppel], pilot's seat [Führersitz], vertical tail [Seitenflosse], rudder [Seitenruder], elevator [Höhenruder], and horizontal stabiliser [Höhenflosse]. Bottom: aileron [Querruder], trim tab [Bügelkante], elevator [Höhenruder], and horizontal stabiliser [Höhenflosse], landing flaps [Landeklappen], and control column [Steuerknüppel].

Lower image shows schematic of controls, indicating rudder pedal [Seitensteuerpedal], control column for pitch and roll control [Steuerknüppel für Höhen- u. Quersteuerung], vertical tail [Seitenflosse], rudder [Seitenruder], trim tab [Bügelkante], horizontal stabiliser [Höhenflosse] and elevator [Höhenruder]. (Fischer collection)

Focke-Wulf Fw 189

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Top and centre: slightly blurred but rather interesting photos of a Focke-Wulf Fw 189 A twin-engine tactical reconnaissance aircraft performing a low-level fly-past for the benefit of an unknown photographer.

Bottom: detail enlargement of second photo reveals what is likely a yellow fuselage band, along with hints of the aircraft's markings. Camouflage appears to be standard 70/71/65.

These images are part of a small selection of photographs depicting Luftwaffe training operations during the Second World War. Besides the above Fw 189 A, they show various individuals and Arado Ar 66, Focke-Wulf Fw 44, and Focke-Wulf Fw 58 aircraft. Unfortunately, in spite of the number of photos, it seems difficult to pinpoint exact location of the above scene. A determination of the exact date is equally difficult, as the photos appear to have been taken over an extended time period. (Fischer collection)

Der Deutsche Sportflieger, February 1942

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Der Deutsche Sportflieger [The German Sport Aviator] periodical, volume 2, issue 2, February 1942. Der Deutsche Sportflieger was a monthly "magazine for all aviation" (as declared in the magazine's subtitle), edited by Ing. Karl Seyboth and published by Postverlag Leipzig, Thuringia.

The front cover features two heavily retouched photos depicting Messerschmitt Bf 109 Fs. The caption states "The new Messerschmitt fighter 109 F in flight and before take-off in the East". (Fischer collection)

Heinkel He 111 - An Illustrated History

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[Full title: Heinkel He 111 - An Illustrated History. Design, Development, Variants, Operations, Equipment] Robert Forsyth with Eddie J. Creek, Chevron Publishing Limited/Ian Allan Publishing Ltd., Hersham, England, 2014, Classic 25, ISBN 978 1 90653 747 0. Illustrated, hardcover, published in English.

Cover image © by Chevron Publishing Limited/Ian Allan Publishing Ltd., 2014.

What is, and what could have been...

It is astonishing that, to this day, no landmark study on the Heinkel He 111 exists, even after decades of serious research into German aviation of the 1930s and 1940s. It is equally astonishing that a book on a topic of this of this magnitude, by authors and a publishing house of such standing, no less, comes as a single volume of a mere 328 pages, and opens with a disclaimer. A disclaimer which reads almost like an admission of defeat or, worse, an apology for attempting to generate some business with a minimum of original research.

In 1996, when Classic Publications (the precursor of the publishing arrangement behind this release) first appeared on the scene with their book on JV 44 (JV 44 - The Galland Circus), they easily set a new standard for World War II German aviation publications. In addition to a flawless, professional, and thoroughly beautiful presentation, their books were crammed full of information, research, photos, and profiles. At the time, it was overdue that a publisher would take the topic of World War II-era German aviation to the next level and dedicate such attention to its product. I myself have often enthusiastically embraced their ventures (see the reviews elsewhere in this blog).

I am well aware, of course, that the landscape of publishing has changed dramatically since Classic's inception, rendering the conception and trade of such specialist books an extremely challenging and risky proposition. But why be so utterly boastful, then, in this new book's subtitle and in its advertising? Perhaps Heinkel He 111 - An Illustrated History actually is "the single most comprehensive study of the He 111 ever published", if compared to existing books about the He 111. But does it really fulfill that claim on its own? I personally have my doubts. There is room for much more. Volumes more. Hence the above mentioned disclaimer in the book, in the guise of "Introduction and Acknowledgments", and opening, literally, with a confession to this effect.

Make no mistake, Forsyth's Heinkel He 111 - An Illustrated History is a beautiful, high-quality book, as can be expected from the Classic series. But what really is its purpose? A compendium of as much previously published material on the He 111 as possible? In all of my years of studying German aviation of the 1920s to 1940s, I have amassed something like this myself. As Forsyth himself frankly states, access to original documentary material was limited during the gestation of the book, and he thus resorted to a great extent to secondary, published, sources. And, more than once, Forsyth openly points to the fact that the touted "comprehensive study of the He 111" actually still remains to be written, by another author.

That's all a bit of a shame. After the initial book announcement, it was reasonable to instinctively assume that this would be Classic's customary attempt at creating a landmark study, by necessity in a multi-volume format, for yet another German aircraft type currently surprisingly under-represented. I sincerely hope that this isn't a further sign of a mounting lack of dedication on the part of Chevron/Classic, as evidenced, in the past, by an increasing number of somewhat unsatisfactory publications, such as Fernández-Sommerau's Messerschmitt Bf 109 Recognition Manual, Salgado's Focke-Wulf Fw 200 Condor, or Medcalf's Junkers Ju 88 series. Or, indeed, by the recent proliferation of misinterpretations or outright spelling errors of German language terms, something that simply should not occur in proofread specialist publications on German aircraft, several of which were co-written, not least, by an author of German descent (Eddie J. Creek, née Helmut Rudolf Nielinger). If such errors by the authors appear in text and captions after final editing, what are the implications with regard to the interpretation of original German sources and documents that are, not least, the very foundation of any serious publication on these topics? There have been indications, on other platforms, that this might indeed be a problem.

So what do we actually have in Heinkel He 111 - An Illustrated History?

The promises contained in the book's pretentious subtitle are only superficially fulfilled. Like many others, I was hoping for a detailed description and assessment of the aircraft's gestation, design, and variants, but after a cursory look at these topics, Forsyth instead focuses on the operational career of the He 111. And there again, how would it ever be possible to cover this aspect adequately within just over 300 pages? It would have served the book better to actually indeed focus on said gestation, design, and variants instead. It would have fit a single volume perfectly. In my opinion, this is the most significant missed opportunity with regard to this publication.

The book opens with the customary introduction to the aircraft manufacturer, Heinkel. A further chapter sheds light on the path which led to the design of the He 111, segueing into a look at the He 111 as an airliner. These pages are arguably the most rewarding of the book. Not only has this aircraft been under-represented in its airliner guise in many previous magazine features and publications, but the clean, pure lines of an aircraft still unencumbered by wartime requirements highlight how utterly advanced and aesthetic its design was for its time. Chevron/Classic's penchant for beautiful book layouts and lavish photographic coverage really does the book's subject justice here. Wonderful!

From chapter four on, the narrative focuses on the He 111 at war, and the technical development of the aircraft is now relegated to a mere occasional sentence or drawing. As has been noted elsewhere, a more appropriate (and honest) subtitle for the boom would have been "An Operational History". Color profiles are interspersed throughout, although upon close examination, they don't always correspond in every detail to the photos of the real aircraft portrayed.

The true value of this book lies in the photos, of which there is an abundance to be found. Many of them are beautiful with regard to scene and detail, such as the photo of the Hansa Luftbild He 111 B on page 38, the hangar shot on top of page 100, or the compilation of He 111s with anti balloon cable fenders on pages 239 and 240, to name but three examples. Much like the aforementioned spelling errors, a certain lack of an adequate quality control has crept in here, too, unfortunately. Perhaps the most glaring examples: the "He 111 test aircraft" on page 276 is actually a Focke-Wulf Fw 200. And the "He 111" cockpit gun installation on page 187, bottom right, is in fact the rear gun installation of a Focke-Wulf Fw 189 reconnaissance aircraft.

Heinkel He 111 - An Illustrated History is really a lavish, large and beautiful book. Its shortfalls, for the serious student of German aviation at least, certainly aren't its layout or photo content. Upon making the decision to indeed produce just one single volume covering a mass-produced and omni-operational aircraft such as the Heinkel He 111, Forsyth should probably have focused as much as possible on the trails less taken so far. The lack of a detailed examination of the He 111's design, technical details, variants, and capabilities is a true shame. The He 111 is of course not as exciting a topic as an Fw 190 or a Bf 109. But in a perfect world (i.e., one not driven by a decreasing book market), its existence would have warranted at least a four-volume series, if not more.

Messerschmitt Me 323

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Partially cannibalized Messerschmitt Me 323 D Gigant transport aircraft. The only recognizable part of the aircraft's code is the red letter C (or a partially obscured G or O).

Note heavy exhaust staining on wing. Engines, outer wing sections, and tail section have been removed. Two Me 323 rudders can be seen on the ground between aircraft and camera. Location is likely the Demyansk pocket, 1942. (Fischer collection)

Arado Ar 66 Fliegerdenkmal

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Beautifully spectacular shot of a so-called Fliegerdenkmal [aviator's monument] mishap, involving an Arado Ar 66 trainer with WL+IDEH fuselage code. It seems the aircraft came to rest in the ditch next to the airfield perimeter road, right in front of a corn field. Note the unusually small fuselage Balkenkreuz.

WL+IDEH was part of Schule/FAR 23 in Kaufbeuren, southern Bavaria, in September 1939, and this incident likely occured during that period. (Fischer collection, additional information very kindly supplied by Eric Guillaume via luftwaffe-research-group.org)

Entry amended November 30, 2014.

Gotha Go 150 Advertising

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Gotha Go 150 advertising by Gothaer Waggonfabrik Aktiengesellschaft, as featured in Der Deutsche Sportflieger [The German Sport Aviator] periodical, volume 2, issue 2, February 1942, edited by Ing. Karl Seyboth and published by Postverlag Leipzig, Thuringia.

Text translates as follows: The "small Go 150" ranks among the most modern German aircraft types - a low-wing, two-seat cabin aircraft; the first light airplane equipped with two engines, yet affordable to operate (fuel consumption per 100 km = 12.7 litres) - in short: the ideal aircraft for the private citizen! (Fischer collection)

Josef Sablatnig. Der Sablatnig Flugzeugbau und sein Chefkonstrukteur Hans Seehase

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Karl-Dieter Seifert, NORA Verlagsgemeinschaft Dyck & Westerheide, Berlin, Germany, 2002, GBSL Schriftenreihe 6, ISBN 3-935445-63-6. Illustrated, softcover, published in German.

Cover image © by NORA Verlagsgemeinschaft Dyck & Westerheide, 2002.


Karl-Dieter Seifert's Josef Sablatnig. Der Sablatnig Flugzeugbau und sein Chefkonstrukteur Hans Seehase [Josef Sablatnig. The Sablatnig Aircraft Plant And Its Chief Designer Hans Seehase] provides a long overdue appraisal of a little-known but nonetheless significant pioneer of German military and civil aviation. As in his later publication DKW und die Erla Me-Flugzeuge 1926 bis 1945 (2011, reviewed elsewhere in this blog), Seifert's book is a rather detailed exploration of the story of the Austrian-born protagonist whose vision led to the creation of an aircraft manufacturing operation as well as the subsequent fate of said operation and protagonist. Josef Sablatnig's name may ultimately have failed to achieve the prominence of better known contemporaries such as Hugo Junkers, Henrich Focke, or Georg Wulf (to name but a few), but both his aircraft and his path are certainly remarkable enough to warrant such a dedicated study.

Original source material about Josef Sablatnig and his aircraft is somewhat sparse. Sablatnig Flugzeugbau GmbH was formed in 1916, but Sablatnig left his struggling company already at the end of 1922, after a mere six years. Any aviation enterprise in Germany at that time was subject to the rigid provisions of the Versailles Treaty, rendering the future a rather bleak proposition. The onset of yet another world war a few years later further served to diminish memories and original documents that later could have served to fully reconstruct the existence of Sablatnig Flugzeugbau GmbH. It's to Seifert's credit that he has succeeded in assembling a sufficiently comprehensive history. This was possible, not least, because Seifert was able to establish contact to the families of Sablatnig and his former chief designer, Hans Seehase, thereby being granted access to remaining original material. This proved crucially beneficial for this book.

There are many aspects in Seifert's account of Sablatnig Flugzeugbau GmbH that are utterly fascinating, among them the description of the conditions that prevailed in post-World War I Germany. Also illuminated is Sablatnig Flugzeugbau GmbH's foundation of Luftverkehr Sablatnig, one of Germany's first airline services (later Lloyd Luftverkehr Sablatnig, jointly operated with Norddeutsche Lloyd). The book is filled with many such details, thereby providing engrossing context not only with regard to Sablatnig's own story but also pertaining to Germany's later resurgence as one of the leaders in aviation technology. Moreover, Siebert has collected a great number of period photographs which serve to greatly enhance the book's text. Photo reproduction (in black & white) is quite good, although it still could have been improved if the publisher would have provided for a better paper quality. Nonetheless, there are highly intriguing images of Sablatnig's aircraft, manufacturing operations, technical details, and occurrences and mishaps. The image content also includes original drawings and documents.

Seifert's narrative follows Sablatnig and Seehase even after Sablatnig's temporary retirement from the ailing aviation industry. Among other episodes, it chronicles Sablatnig's attempts to establish himself as a competitor in the rapidly evolving automotive industry, his affiliations with the DVL and Junkers, as well as his last years during World War II. One of the final photos in the book shows an aged but seemingly very content Josef Sablatnig with his daughter. Only five pages later, the reader learns of Sablatnig's imprisonment by the Soviets after the cessation of hostilities, on June 16, 1945. Sablatnig died at Buchenwald concentration camp in 1946.

Karl-Dieter Seifert's Josef Sablatnig. Der Sablatnig Flugzeugbau und sein Chefkonstrukteur Hans Seehase is a small but unreservedly important and fascinating contribution to the ever-continuing quest to complete a comprehensive chronology of Germany aviation history. Highly recommended.

Focke-Wulf Fw 56

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Focke-Wulf Fw 56 A Stösser [Sparrowhawk] advanced parasol-wing trainer D-IKEI. Detail enlargement of center fuselage section reveals Focke-Wulf company logo. Photo was taken during the mid-1930s, although exact date and location are currently unknown to me. (Fischer collection)

Udet U 12

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Ernst Udet's specially modified personal Udet U 12a aerobatics biplane, D-822. Aircraft was painted all red, with white trim. The two detail enlargements of the photo show the covered front seat as well as the Siemens Motor, Mobiloel, and Bayer. Flugzeugwerke AG Augsburg logos.

As can be seen in the lowermost detail enlargement, the person standing on the left in the main photo all but obscures the white flamingo painted on the fuselage between Udet's name and the aircraft's registration.

Photo very likely taken in the late 1920s, but exact date and location are currently unknown to me. (Fischer collection)

AGO-Flugzeugwerke. Vom Gitterrumpf zur Me 262

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René Scheer, dr. ziethen verlag, Oschersleben, Germany, 2014, ISBN 978-3-86289-078-1. Illustrated, hardcover, published in German.

Cover image © by dr. ziethen verlag, 2014.


Reviewing books examining the histories of German aircraft manufacturers is unwittingly turning into a loose series among the articles published within this blog. Following books on Sablatnig (Seifert 2002), Weser Flugzeugbau GmbH (Wenz, 2000), Zeppelin (Meighörner, 2006), DKW And Erla Aircraft (Seifert, 2011), and REIMAHG (Gleichmann, 2013, and various other authors), this review focuses on René Scheer's newly released and highly anticipated AGO-Flugzeugwerke. Vom Gitterrumpf zur Me 262 [AGO Aircraft Plant. From Tube Truss Fuselage To The Me 262]. To make it short, Scheer's book is fantastic. It is a prime example for a thoroughly researched and lavishly illustrated (including many rare black & white photographs and eight colour profiles) landmark publication.

AGO-Flugzeugwerke documents AGO's inception as a relatively small and obscure aircraft manufacturer in Oschersleben, its rise to a subcontractor producing aircraft for Heinkel, Arado, Henschel, Focke-Wulf, Gotha, and Messerschmitt, and its eventual association with REIHMAG. It is a highly intriguing account by any means, and it highlights not only the aviation-technical aspects typically associated with any German aircraft manufacturer of the period, but also the omnipresent repercussions arising from economic realities and political interference.

Among the most interesting parts of the book, however, is Scheer's detailed depiction of AGO's original aircraft designs (both produced and projected) as developed by Paul Klages and his team. The elegant lines of aircraft such as the Ao 192 or Ao 225 clearly illustrate Klages' unreservedly distinctive and aesthetic approach. As interesting and important as the subsequent license production of other companies' aircraft (e.g. Messerschmitt Bf 109 and Focke-Wulf Fw 190) was in AGO's history, it is a shame that AGO's own projects never received the attention and acknowledgment they would have rightfully deserved. Germany's inevitable path towards war essentially eliminated the possibility to realize any such ambitions AGO may have harboured.

Scheers' book subsequently sheds much light on AGO's wartime activities, including flight test activities, aircraft repair operations at the front, decentralisation efforts affecting manufacturing processes back in Germany, work conditions of AGO's workforce, employment of forced labour (a topic all too frequently conveniently excluded in such monographs), effects of the air war and Allied bombing, REIHMAG's appropriation of AGO's assets, and the establishment of the underground production of Messerschmitt Me 262 jet fighters at the near-mythical Walpersberg facilities. AGO-Flugzeugwerke finally concludes by describing the period of occupation after the war's end as well as the futile local efforts to preserve the industrial base against the realities of a collapsed Germany, resulting in the cessation of all activities in 1950.

René Scheer, a teacher by profession, has been gathering AGO-related information and material since the 1990s, resulting in a unique collection of knowledge, documents, photographs, and data. His dedication to meticulous research, paired with the obvious enthusiasm of his publisher, Harald Ziethen, have made AGO-Flugzeugwerke an utterly indispensable case study. In spite of the complexity of the story, the 312 pages of text are easy to read (the text is perhaps a tad small, due to a book format of 23 x 23 cm). Image reproduction is very good. The book is completed by footnotes, a list of sources, an overview of abbreviations, and a brief English summary.

AGO-Flugzeugwerke. Vom Gitterrumpf zur Me 262 simply cannot be recommended highly enough.

Heinkel He 72

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Heinkel He 72 A Kadett, D-EBIZ, Werknummer 761, of the NSFK. Aircraft is fitted with an Argus As 8 R engine. Exact date and location unknown.

The pilot in the rear cockpit appears to be Martin Mossdorf, later Gruppenkommandeur of I./StG 3 (from June to November 1942). Mossdorf was a recipient of the Deutsches Kreuz [German Cross] in gold as well as the Ritterkreuz des Eisernen Kreuzes [Knight's Cross of the Iron Cross], among other awards. He survived the war in captivity. (Fischer collection)
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